Showing posts with label Glitch. Show all posts
Showing posts with label Glitch. Show all posts

15.1.10

Haarpynooyeer


It's unspeakably hot. You can't go outside, you can't even leave the shelter of the air conditioned living room. When I tried to go for a shower I almost axed myself on the sink after slipping in a pool of my own foot sweat. Fortunately being stuck indoors is an excuse to listen to new tunes all day whilst the missus ventures forth into the outside world in search of employment. Don't hate me this is what's known as gradual acclimatisation. Anyway I hope you're sitting comfortably and ready for some heavy new beats for a brand new year, which by all appearances promises to be a good one. After a long Internet drought we're back in the game and I've been all "fatty in a cake shop" for the last couple of days, so to get the ball rolling here are a few sparkling gems of musical freshness for you all to enjoy.

Debruit has been turning heads for a little while now, but until he released his new EP Spatio Temporel I was yet to be wholly taken with his sound. These four new tracks are a stunning combination of playful manipulation and wholesome bass, standing alone in their ability to make you chuckle uncontrollably, shake your head in disbelief and bounce like a possessed kangaroo all within the same bar. Cleverly looped and cut samples, cheeky vocal led drops and splashes of furious wobble all combine to produce some of the freshest beats this year so far, not that the year is barely five minutes old yet, but I figure they'll stand the test of time with ease.

I've already mentioned Shlohmo in recent months but a rerelease of his Shlohmoshun EP deserves an extra shout. Complete with remixes from artistes de jour, Tokimonsta, Devonwho, Fulgeance and Low Limit this repackage boasts some tighter mastering, two new tracks and a few nice tweaks to the original tracks which only serves to enhance their lush, subtly affecting atmospherics. Teeth is the standout of the new tracks, bringing static crackle and pin prick percussion before dropping a tearout bassline that could probably shear off your ears if played loud enough. My pick of the guest spots is the Devonwho remix of 7am, compressing the original sounds into squashed bleeps and tight edits before unleashing tribal drums that roll the tune through to a satisfying close.

A special mention must go out to Loops Haunt for his début release (that underground cassette promo aside) Impact OmniHammer b/w Joplin. Since their original airing on various promo mixes these two brain tenderising beats have evolved yet further from their already impressive roots and I for one am overjoyed that I too can now drop two of my favourite tunes at a cost of less than £2. Hold tight for Loops Haunt madness in this coming week with his Rubber Sun Grenade EP dropping on Fortified Audio. If you haven't checked this startling talent out yet please grab his Promo Mixes (1 & 2) and Electronic Explorations showcase from earlier last year and brace yourself for some sonic mischief of the highest order.

Finally a brief word on a slept on album from last year that friends recently brought to my attention; Medschool newcomer, Bop's first offering to the world of ephemeral Drum and Bass. Clear Your Mind is vaguely reminiscent of Instramental and Consequence, but elements of glitch and IDM shine through the wash of atmospherics, drawing more appropriate comparisons to artists like Shlohmo or Kelpe. Haunting, melancholic synths are perforated by laser guided, needle sharp, bit crushed percussion, incredibly unpredictable in the sparsity or cluster of it's arrangement. The resulting composition is a beautifully spacious work of individuality sprinkled with just the right amount of glitch to keep things bubbling along nicely. All in all a well worthy addition to anyone's collection and another much needed boost in credibility for the DnB scene.

Enough chatter for now, night has fallen and it's just about cool enough to go lie down without sweating a small lake into the mattress. No time to relax though for now is the hour of the mosquito onslaught. Subtropical life isn't all it's cracked up to be.

18.11.09

Broken Ted News


I've been a little removed from the musical world recently, due in part to various upheavals in life but also to excessive drinking and tearful goodbyes. Needless to say the first re-immersion in sound drew a whole plethora of new and exciting prospects, largely thanks to some friends of mine who have been keeping a weather eye on the usual channels whilst I've been out of action. Notably the Broken Ted, who's been exploring the various avenues of glitch and ephemera to recommend:

Shlohmo, who's E.P.s, Shlohofi and Schlomoshun are dancing around the periphery of my mind like esoteric pixies hellbent on stealing my thoughts. The former is a delicate arrangement of ethereal glitched out beats, definitely best listened to on a very lazy Sunday afternoon or in a state of entranced reflection. The latter is more easily reconcilable, slipping in somewhere between Ras G, Nosaj Thing and Eskmo; sort of slumped Hip Hop with skipping drum patterns and a warm afterglow of softly diffused bass.

Tokimonsta, who is coming on leaps and bounds with every mixtape. Her latest offering which takes the form of a promo for Donkey Pitch and Sonic Router can be found
here, and I suggest everyone with a modicum of interest should read her interview with Sonic Router and make every effort to catch her at Donkey Pitch in Brighton on the 26/11/09.

And another
Slugabed Mix (for Dummy this time around), which ticks all the disgusting boxes you could ever dream of. I've started to wonder whether my new found admiration for his music is merely a personal rebellion against the derivative, hyper processed, auto-tuned world of Pop dross, but then I listen to it again and it blows such thoughts clean out of my mind with the force of a sonic jackhammer.

All this said I haven't been completely idle, I stumbled across this new
Blank Blue set on Dublab the other day and I was pleasantly surprised. They've taken on a couple of new band members and stiffened up their sound somewhat, it's basically what Blank blue would sound like if they were a blasting desert Rock ensemble instead of a psychedelic west coast Folk-Hop two piece. Not sure whether that's progress exactly but my dog likes it and that's good enough for me.

Speaking of which I put some dubstep on earlier and Facie (the dog), started growling along to the music every time the sub kicked in. In the past she's howled along to the blues and barked/whined to anything else with rhythmic guitars and keys. This latest approach is new to me and if anything is a seal of approval I'd say that this would be it. I'm tempted to contact Kryptic Minds with the news but I doubt they'd be as excited as I was when I heard her rendition of Six Degrees. It is entirely possible that staying at my parents house is driving me insane.

Finally I have a recommendation straight out of the left field for anyone that enjoys atmospheric soundscapes in the vein of Boards of Canada or Access to Arasaka. Oneohtrix Point Never produce the sort of music that evokes Alien Skies, Dystopian Cityscapes and the very limits of the known universe. It doesn't do a whole lot but then again it doesn't really have to. Go buy it here and close your eyes of a couple of hours, it's probably worth it.

15.10.09

Dr Strangeloop


It isn't that often that I hear a single track from an artist and become instantly obsessed, in the case of Dr Strangeloop however, this is exactly what happened. The track in question is his first release on the Brainfeeder label, and as far as I can tell, his first commercial release altogether.

Weighing in at an epic 17 mins 43 seconds, Are we Lost Mammals of an Approaching Transcendental Epoch, is a sprawling, mesmerising opus combining post rock aesthetics with incredibly sophisticated electronic production. I can't stress enough how badly you need this in your life, not only is it minblowingly intricate and sonically devastating, but it's also an invaluable time killer (that 20 minute train/bus journey will fly by).

The piece can be split into three distinct stanzas but it is best appreciated as a whole; tensions rise and fall, drums suddenly appear from nowhere before skittering away
just as quickly into nonexistence, and the whole track is imbued with a lo-fi distortion that only adds to it's sense of drama. Anyone who has been to a Brainfeeder night in the last few years might already be acquainted with Dr Strangeloop's work; his VJ'ing performances for the likes of Flying Lotus and The Gaslamp Killer have been utterly astonishing and, if you have been lucky enough to catch one, I'm sure you'll be more than happy to lend an ear to his audio tinkerings as well.

Thankfully there is a wealth of material demonstrating his considerable talents here... http://www.nuopsys.com/nmrl/home.html and as a gesture of incredible goodwill, Dr Strangeloop (aka Nuopsys aka David Wexler) has made his entire back catologue of work prior to "Are we lost mammals..."free to download; particular highlights being Collected Works Vol.1 and the Datafunk E.P (a ten minute face melter constructed from a scratchy copy of a Bollywood classic). If you were also so fortunate as to hear his Mary Anne Hobbs mix, with it's Ennio Morricone samples and insane, brain crushing drums, I'm sure there'll be no stopping you.
Whilst you're there check his visual work and his deviant art page, http://naturalmediaresearch.deviantart.com/ .

And that's not all, according to his posts on the Brainfeeder website (http://www.brainfeedersite.com/ ), he's got more in the pipeline with the Balance E.P
arriving January 2010, Are We Lost Mammals... Remix Compilation (remixed by friends of Brainfeeder no less) coming soon and Easy Listening for our Future Children (http://www.brainfeedersite.com/2009/09/20/easy-listening/ ) an audio visual LP dropping in 2010.

Look, just go here and watch this http://www.vimeo.com/5102477 , that should give you some idea of just how incredible this guy is.

Are We Lost Mammals of an Approaching Transcendental Epoch is available on Boomkat, Beatport, Bleep and itunes.

http://boomkat.com/
www.beatport.com/
www.apple.com/itunes/
http://bleep.com/

13.10.09

Loops Haunt


In anticipation of his debut on Black Acre Records I’d like to call your attention to an artist named Loops Haunt (http://www.myspace.com/loopshaunt), a Dundee based Hip Hop/Glitch producer who makes the sort of music that your brain might generate on the periphery of a fever dream.

Despite some incredibly innovative production and a sound pallete that could make your hair fall out, Loops Haunt doesn’t appear to have received much exposure so far; the exceptions being a few tracks included in Slugabed, Rustie and Ebola’s recent mixes, and Huarache (which sounds like a giant foretelling the Apocalypse through the medium of a sky scraper high, steel stringed, double bass) being picked by Eprom for the heads up track on Mary Anne Hobbs’ experimental show.

Suffice to say I expect he’ll be making lots of noise over the next couple of months with Team Acre 002: Impact OmniHammer/Joplin (http://www.myspace.com/blackacrerecords) surfacing towards the end of October and an E.P on Fortified Audio following shortly after.

In the meantime here are three sets to whet your appetite:

Two mixes for Ballers Social Club:

Ballers Mix 1: http://www.divshare.com/download/7335741-e0e

Ballers Mix 2: http://www.megaupload.com/?d=LGNCR86L

And an Exclusive Rhythm Incursions Mix, which can be found here: http://www.rhythm-incursions.com/2009/08/04/loops-haunt-mini-mix/